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Designing and Drawing for the Theatre
Download Ebook Designing and Drawing for the Theatre
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Detailing production design for theater, opera, and ballet, Designing and Drawing for the Theater provides a professional picture and encyclopedic reference of the design process. Lavishly illustrated with detailed lined drawings and photographs, the book conveys the beauty and excitement of production design. To further convey a real-life picture of the design process, each chapter is followed by a conversation with an outstanding designer working in today's theater.
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Product details
Hardcover: 608 pages
Publisher: McGraw-Hill, Inc.; 1 edition (September 1, 1994)
Language: English
ISBN-10: 007557232X
ISBN-13: 978-0075572329
Product Dimensions:
8.7 x 1.1 x 11 inches
Shipping Weight: 3.7 pounds
Average Customer Review:
4.4 out of 5 stars
3 customer reviews
Amazon Best Sellers Rank:
#702,092 in Books (See Top 100 in Books)
This is one of the best books I have found for scenic design there is a section of scale furniture. There is also a lot of great interviews with professional designers. This book is worth the wait to get it as it is not in print any more so it takes some time to get the book.
I ordered this book after reading evryone's raving rviews, and expected to get a really great book. I must say, though, that I was disappointed. Depending on what kind of book you are looking for, it can be good or bad. What the book does have is immense collections of details for different objects - dozens of different window frames, for example, or many options for stair railings. What I found missing from this book is theory. The author talks lengthly about all sorts of details such as how long it takes to strike different kinds of sets, or what kinds of specifications a scenic shop needs in order to build a set. All of this stuff is pointless if you haven't yet designed a set. I think that the author should either have talked about different scenic styles, disscussed the use of color and proprtions and talked about the creative process involved in designing a set and being part of a whole production. Since she did not do this, I suggest that in her next edition of the book she remove the word "design" from the title. I also suggest that she arrange the pictures (which are actually great) so that on the page where she writes about a certain kind of scenery, there are pictures of those kinds of sets - especially since she had the right pictures stuck in different parts of the book so it is just a matter of putting them onto the right pages.One thing that I found exclusive to this book as opposed to other books (aside from the lack of solid content and over-abundance of pointless precticalities) was the extensive interviews with designers such as Ming Cho Lee and John Napier. All though her questions as well kept on missing the point and dealing with irrelevant pracicalities, it is amazing to find such a collection of interveiws. Though you must agree with me that it is very stupid to have a chance to talk to some of the greatest designers of the century and then ask them questions like "So how many inches apart were the backdrops hung when the were flown?" or "What were the exact dimensions of the conveyor belts that you used in 'Annie'?". The questions that I would have liked to hear the answers to are things that you couldn't ask anyone else, such as "So what made you decide to use that particular style?" or "What kind of artists, if any, have effected your designs over the years?".So this is a great book if you already know what you are doing in theater design and need some workshop techniques and to copy Ms.Pecktal's doorframes and wallpaper patterns.[...]
I've been wanting to acquire a copy of this book for a long time. And now I am satisfied. Excellent book. I had one other book by the same author . I will look at her other books. Thank you very much.
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