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Invitation to a Beheading
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Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed. he simply wills his executioners out of existence. They disappear, along with the whole world they inhabit.
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Audible Audiobook
Listening Length: 6 hours and 10 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Audible Studios
Audible.com Release Date: November 29, 2010
Language: English, English
ASIN: B004EDOTH4
Amazon Best Sellers Rank:
This has to be one of the best, if not the best book in this genre .. wait .. what genre? Realistic surrealism? A Anti-Utopian dream, or A Utopian Nightmare?People have been comparing this book by Nabokov to Kafka, but I think Kafka was hardwired to live in the shadows of the surrealistic doom he wrote about. Kind of like Ben Stiller playing himself in every movie he is in. While Nabokov was a perfectly uncrazy, supremely ironic, high-brow intellectual, who could direct his imagination anywhere he pleased, depending on what he felt like writing about. His short stories are like an encyclopedia of human mind, never mind the Lolita thing of his ..And the happy end of The Beheading that everyone can learn something from .. hard to beat that one!
Chapter 4 of the rule of St. Benedict tells the monks, "Remember to keep death before your eyes daily." What would it be like to be such a person? What would it be like to be around such a person? Cincinnatus is sentenced to death. The name harkens back to a noble figure. In this case he is sentenced to death because he makes everyone around him uncomfortable (there are worse reasons.) But he does not know the date of his death...and here is the dramatic tension of the story. I remember when my Dad died. The next morning I went into my bank and a teller I knew well smiled and asked how I was doing. She had NO clue. I have worked with many families dealing with imminent death and I know they don't want me to ask how they are doing unless they know they can answer honestly. Cincinnatus is surrounded by people going through the motions of day-to-day life and cannot appreciate why this man waiting for death doesn't appreciate THEIR struggles. Of course, they are waiting for death too; they just don't appreciate it. This is my 6th book by Nabokov and I have loved them all. And I certainly see similarities between this book and works by Kafka, Dostoevsky, Tolstoy, and Sartre ("The Wall.") but I don't assume an influence
I only came to know of this early Nabokov novel by reading the wonderful "Reading Lolita in Tehran" by Azar Nafisi (highly recommended), a study of the relevance of literature in the personal quest for freedom from the crushing weight of oppression. Certainly the protagonist of "Invitation to a Beheading," Cincinnatus C., is a relevant case in point, given that he has been sentenced to death for an obscure crime (gnostical turpitude)and is constantly under the manipulatory pressures of absurd agents of the state. In this he is not at all unlike Nafisi and all the other victims of Khomeini's revolutionary guards who interpret the crimes as they go along. Others may find some parallels in modern America. Many have compared this Nabokov (written in 1935) to Franz Kafka, but the wellspring is really more deeply rooted in the existential guilt that plagues the modern psyche. In earlier times, all shared in the social code of justice and understood the right and wrong, whether or not they agreed with it; but in the 20th century, there emerged a certain arbitrainess of authority that made potential criminals of all somewhere inside their minds. I think of the French author Celine in this context, as well as an unpublished novel of my own written almost 40 years ago. So it is easy to see how Nafisi could apply the parallels to her situation in Tehran, forced to veil, forced to accept, unable to flee, to the situation of Cincinnatus C. I think that anyone who has lived an even mildly contemplative life can feel the constriction that such or any arbitrary authority causes. But what I really want to say about "Invitation to a Beheading" is a bit more personal in nature. Have you ever awoken from a complex dream and thought, "I wish I could write this down, it's really a good story"? No one I have ever read, including Joyce, has done as well at capturing a dream state as Nabokov does in the early pages of "Invitation." And, as if to prove it is not a fluke or a lucky break, he comes back to it again and again, right up until the powerful closing scene. "Invitation to a Beheading" is a powerful dream that too many of us have had, deep in our own gnostical turpitude. It is almost miraculous that one could capture it so well, especially one such as Nabokov whom we know for his open-eyed precision in the later works. But miraculous or not, our heightened ability to relate to it does not say good things about where we have come in the early days of the 21st century.
In this account of a man sentenced to death, Nabokov reveals a talent for the surreal. The accused man has not been told the date of his death sentence. He has been left completely in the dark. He has been locked up in a very bare and sparse prison, with guards, a prison director and assistant. Yet there are no other prisoners, none in the whole facility.The mental musings of the prisoner are the focus of the book. The incidents are often highly surreal and not possible. They sometimes seem like one is reading a Magritte. Yet they are illustrative and fascinating. In one scene his family comes to visit him in prison, complete with furniture. In another he sees the prison director who is also the assistant director as miniature people. Wherever his musings take us, they are truly of great interest.In the final scenes the surreal nature of the musing continues. The scene of the execution is somehow `disturbed.' Things are not as they should be. And as a result, he just disappears, along with everything else.While the nature of the writing is extremely Kafkaesque, Nabokov had not read any Kafka when he wrote this story. In addition, neither Kafka, nor any of the major existentialists combine their philosophy with surrealism in the same way or to the same degree as does Nabokov in this book.The book is recommended to all lovers of Nabokov and to those looking for a true contemporary classic fiction novel.
What an amazing prose! Even with lots of repetition and as crazy as the whole book is I will read it again
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