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Roots Knotty Roots: The Discography of Jamaican Music By Michael Turner, Robert Schoenfeld
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- Sales Rank: #11120243 in Books
- Published on: 2004-03
- Binding: Paperback
- 716 pages
Review
"A reference tool for journalist, DJ and musicologist alike. A first rate stab at a colossal task." -- Jeremy Collingwood, Record Collector Magazine (London), May, 2002
An essential volume and a much-needed addition to the ranks of music scholarship. -- Ron Wynn, City Paper, Nashville, TN
This is an A-to-Z gathering of primary sources that tells an unadorned story of the Jamaican record industry. -- Michael Kuelker, Reggae Festival Guide, 2001
About the Author
Michael Turner has been writing about Jamaican music in The Beat magazine for over a decade; in recent years he has authored the "Reggae Obsession" column, exploring little known and untold stories from Jamaican music history. While living in Louisiana, Michael hosted the program "Jump Jamaica Way," at WWOZ-FM – the New Orleans's Jazz & Heritage radio station. About ten years ago, Mike began to compile a database of Jamaican singles. He estimates conservatively that well over two thousand hours were logged just compiling and cross-referencing the original database that later evolved into Roots Knotty Roots. At some stage in the process, he realized that the database reveals the real story of Jamaica’s musical history better than any prose. When not obsessing about music, Mike is an emergency room physician.
Robert Schoenfeld is a cofounder and managing director of Nighthawk Records, one of the first US based indie labels to make a serious commitment to reggae. Robert made his first visit to Jamaica in 1974 and immediately began scouring record shops in Montego Bay. By 1979, he felt comfortable enough with the culture and patois to begin a professional relationship with several important Jamaican artists who later formed the basis of the Nighthawk Records reggae catalog. In 1981, the label began a series of recording sessions in Kingston working closely with Sylvan Morris and the Roots Radics at the Harry J Studio, and with Mervin Williams at Aquarius Studio. That work resulted in a series of critically acclaimed albums produced for the Itals, the Gladiators, Culture, Justin Hinds, Winston Jarrett and other artists. Robert and the Nighthawk label continue to work with many of those same artists to the present day, sustaining the label’s commitment to the roots of traditional Jamaican music.
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